Emergences for guitar

Studio per chitarra elettrica III – pressione e scordatura

Where do sounds come from? Does a sound originate on the surface or inside of the object? And what is their directionality with respect to Individuation? This study piece investigates pressure and touch as parameters for the self-organization of rudimentary sounds. The notation in this piece has to be seen only as an aid for action, rather than as a set of complex informations about pitch, duration, expression, or about timbre as a result of the combination of these elements. Hence, the final result of the piece will be intentionally non-accurate and partially uncontrollable, depending on the particular body-sound interaction.

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